I've been dreadful at posting new projects here, mainly because I've been busy designing them rather than posting about them, but I'd like to catch up a bit. There are quite a few to show you!
This project here began being discussed two years ago. It's for a very exposed very steeply sloping site in Wellington. That's just Wellington, right -- but this one is a little different: with the very steeply sloping site comes striking views right across the harbour: which makes it extremely exposed -- both to the public eye and to the weather.
And as they say, Wellington doesn't have a climate. It has weather.
The strategy, a simple one, is to hang the house between the retaining walls that are needed to hold up the street, and the cantilever beams sprouting in pinwheel fashion from a single large concrete pile. This takes account of the sloping-site problem. One enters and sleeps at the top level, lives on the middle level, and offers children and guests sleeping and play space at the bottom.
Did I say "simple"? |
Once out of the ground, the house needs to deal with the weather problem. Because this house doesn't just have slope: with that slope comes both the spectacular views over the harbour that make it worth building there, and all the winds of Aeolus sent to batter anyone daring to step outside to see it.
Trouble. But as they say, problems are an architect's friend!
View from the proposed roof terrace: spectacular view; spectacular wind! |
Add these windscreens around the outer drum, intersect this with the main circular drum, add trees and vines, mix all ingredients sagaciously on this sloping site and you have this house -- or nearly so. From there it almost designs itself!
Concept |
Concept Plan |
Can you see this rising from the hills above the Wellington Harbour? A strong form making it easily seen even at great distance.
And while the screen looks a little 'heavy' in the pictures, our windscreen is an almost diaphanous perforated metal screen, lightweight, decorated and visually permeable. A light steel veil draped over the drum and cinched down tight; a "breathable" screen, with sections easily slid away on Wellington's intermittent but glorious good days.
This Cultural Centre in Corsica gives you an idea of just how visually permeable a fine-grained steel 'veil' can be:
Cultural Centre in Bastia, by Paris Studio DDA |
Pitsou Kedem's 'MA' House' in Israel |
Visually permeable perforated decorated metal screen, rejoicing in the sunlight (above) -- and rendered in red below:
Drums in the sun
Drums in the sun
The perforated metal is used to create a see-through screen that offers protection from the wind on the main terrace overlooking the harbour, with other open decks (that can be used on better days) that take the visitor further out to enjoy views over the central city.
View out to open terrace |
View from day bed on upper level |
View from built-in seating at 'back' of lounge |
These axonometric cutaway plans of each level should give you some idea of how it all comes together ...
[Hat tips, of course, to Sullivan, Botta, Melnikov..]
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